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SHARON ENGELSTEIN
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SOLO EXHIBITIONS |
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| 2006 | New Work, Romo Gallery, Atlanta | |
| 2005 | Siblit Tatu, Firehouse Gallery, Burlington, Vermont | |
| Fetlax, The Suburban Gallery, Chicago | ||
| Claywork, Texas State University, San Marcos | ||
| 2004 | Tethertwin, Sioux City Art Center, Sioux City, Iowa | |
| Shapey, Mixture Gallery, Houston, TX (link to Mixture Gallery) | ||
| 2003 | Cold Air, Elias Fine Art, Boston | |
| 2002 | Sib Dit, University of North Texas Art Gallery, Denton, Texas | |
| B'bleb, Locust Projects, Miami (link to Locust Projects) | ||
| Air Ga, ArtPace Foundation for Contemporary Art, San Antonio (link to ArtPace) | ||
| 2001 | Inflated, Glassell School of Art, Museum of Fine Art, Houston | |
| Piggy Back, Moody Gallery, Houston | ||
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2000 |
Boolean Unions, Contemporary Arts Museum, Houston |
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Models for Me, Sala Diaz, San Antonio |
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1996 |
Shiny and New, Texas Gallery, Houston |
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Round Five, Project Row Houses, Houston |
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1994 |
Blushes and Busts, The University of Texas at San Antonio Satellite Space |
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1992 |
Selections from an Anomalous Collection, Museum of Surgical Science, Chicago |
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New Work, Graham Gallery, Houston |
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1990 |
MFA Thesis Exhibition, Claremont Graduate School, Claremont, California |
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SELECTED GROUP EXHIBITIONS |
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| 2005 | Partners, Kirkland Arts Center, Kirkland, WA | |
| 2004 | Conversagence, Gregory Lind Gallery, San Francisco (link to Gregory Lind Gallery) | |
| Camp Lucky, Summer of Carnage, Deborah Colton Gallery, Houston | ||
| Perspectives at 25, Contemporary Arts Museum, Houston | ||
| From the States, National Museum of Women in the Arts, Washington, DC | ||
| Twang Sculpture, Art Museum of Southeast Texas, Beaumont, Texas (link to Twang Sculpture) | ||
| 2002 |
Bandy, University of South Florida Contemporary Art Museum, Tampa (link to USF/CAM) |
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| New Files, New Territories, Gregory Lind Gallery, San Francisco | ||
| Jet Set, University of Texas, Dallas | ||
| The Million Dollar Hotel Show, Holiday Inn Select, Houston | ||
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Spunky, Exit Art, New York |
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| Works on Paper, Finesilver Gallery, San Antonio | ||
| 2001 |
Fast Forward, Nash Hotel, Miami |
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25th Anniversary Show, Moody Gallery, Houston |
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The UFO Show, University Gallery, University of Illinois, Normal |
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| Neo Rococo, The University of Texas at San Antonio Art Gallery | ||
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1999 |
Double Vision, Nexus Contemporary Art Center, Atlanta, GA |
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1998 |
Unraveled, City Gallery at Chastain, Atlanta, GA |
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1997 |
ME, Clementine Gallery, New York |
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Oktoberfest, Texas Gallery, Houston |
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Glamour Sculpture, Houston Community College Art Gallery, Houston |
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1996 |
Bliss Project, Los Angeles Contemporary Exhibitions, Los Angeles |
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1995 |
Metamorphism & Biomorphism in Contemporary Sculpture, Blue Star, San Antonio |
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Facts of Form, Meredith Long Gallery, Houston |
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The University of Texas Faculty Exhibition, Hunter Gallery, Austin |
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Gender, Myth and Exploration, University of North Texas Art Gallery, Denton |
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1994 |
Summer Group Show, Barry Whistler Gallery, Dallas |
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Small Objects, Inman Gallery, Houston |
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1993 |
Engelstein and Hecker, Texas Gallery, Houston |
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Dialogues, Blue Star Art Space, San Antonio |
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Texas Contemporary Acquisitions of the 90's, Museum of Fine Arts, Houston |
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Group Exhibition, Lyons Wier Gallery, Chicago |
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Engelstein & Tileston, Women and Their Work Gallery, Austin |
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3-D Rupture, Contemporary Arts Museum, Houston |
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| Conventional Forms Insidious Visions, The Glassell School of Art, Houston | ||
| 1992 |
Texas Art Celebration, Cullen Center, Houston |
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Core Fellows 1992, Museum of Fine Arts, Houston |
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| 1991 |
Core Fellows 1991, Museum of Fine Arts, Houston |
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Introductions, Graham Gallery, Houston |
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| 1990 |
The New Fabricants, Richard Green Gallery, Santa Monica, CA. |
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SELECTED BIBLIOGRAPHY |
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| Kenneth Baker, Bubbling Over in Talent, Art News, September 2004, PP 94-102 | |
| Cate McQuaid, Sculptures Are Both Playful and Powerful, the Boston Globe, January 31, 2003, C18 | |
| Alison BIng, New Sculpture and Painting, SFGate.com | |
| Kenneth Baker,What's Seen Confuses What's Read, by San Francisco Chronicle, September 4, 2004, E10 | |
| Tim Maloney, For Art’s Sake, 002 Houston, July 2004, P14 | |
| Peggy Heinkel-Wolfe, Sharon Engelstein: SIB DIT, Artlies, Winter, 2002 P. 74 | |
| Joanne Milani, Pop Goes to Houston, The Tampa Tribune, June 16, 2002, Bay Life News | |
| Lennie Bennett, Eye Candy, The St. Petersburg Times, May 30, 2002, Weekend | |
| Damarys Ocana, What About Blob?, The Street Miami, April 5 - 11, 2002, p. 51 | |
| Ken Johnson, Art in Review, The New York Times, October 19, 2001, p. E39 | |
| Ken Johnson, Last Chance, The New York Times, October 26, 2001, p. E36 | |
| Dave Rootes, Beam Me Up, Colorado Springs Independent, December 14 - 20, 2000, p. 41 | |
| Melissa Merli, UFO Art Show, The News-Gazette, Urbana, Illinois, March 12, 2000, pp. E1-5 | |
| John Ewing, Art/Reality at Sala Diaz, The San Antonio Current, February 10, 2000, p. 34 | |
| Alexander Dumbadze, Reviews, The New Art Examiner, April 2000, p.57 | |
| Joy Mullet and Mary Ross Taylor, The Bold and the Beautiful: Texas Woman Sculptors, Artlies, Spring 2000, pp. 2-5 | |
| Jackson Rushing, Reviews, Sculpture Magazine, June, 2000, p. 79 | |
| Victoria Lightman, Sculpture in Houston, Sculpture Magazine, June 2000, pp. 26 31 | |
| Frances Colpitt, Space City Takes Off, Art in America, October, 2000, pp. 67-75 | |
| Carlo McCormick, Houston Journal, artnet.com (link to Artnet) | |
| Kathy Byrd, Double Double, The Creative Loafing, p. 39 | |
| Bill Davenport, On the Beach at Galveston, Art Papers, November/December 1998, pp, 61-62 | |
| Curt Holman, Unraveled at Chastain, The Creative Loafing, Atlanta, June 1998, pp. 37, 44 | |
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Frances Colpitt, Engelstein at Texas, Art in America, October, 1996, p. 125 |
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Shaila Dewan, Shiny Happy Creatures, The Houston Press, June, 13, 1996, p. 42 |
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Mark Frohman, Bears Trot Out Shimmery Coats, by Mark Frohman, Public News, Houston, June 12, 1996, pp. 16-18 |
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Bill Davenport, Engelstein at Texas Gallery, Art Letter, Houston, June 1, 1996, p.1 |
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Susie Kalil, Reviews, Circa:The Texas Journal of Art, Arlington, Winter, 1994, pp. 31-33 (cover) |
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Mark Frohman, 2 X 2 X 2, Public News, Houston , November 3, 1993, p. 9 |
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Susan Chadwick, Electric Showcase, The Houston Post, October 22, 1993, p. F1 |
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Patricia Johnson, Achieving Work That Works, The Houston Chronicle, October 22, 1993, p. E8 |
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Susie Kalil, 3-D Falls Flat, The Houston Press, February 25, 1993, p.2 |
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Mark Frohman, Lawndale Slouches, 3-D Ruptures, Public News, Houston, February 10, 1993, p. 11 |
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Arisa Miller, Break Through at CAM, The Rice Thresher, January 29, 1993, p. 14 |
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Susan Chadwick, Vitality to CAM show, The Houston Post, January 26, 1993 pp. E1, 8 |
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Schiche Erika, Extraordinary Works of Art, The Houston Cougar (The University of Houston), January 21, 1993, p. 9 |
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Patricia Johnson, A Rupture with Tradition, The Houston Chronicle, January 16, 1993, pp. D1, 4 |
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Leann Alspaugh, Variations on a Theme, Museum and Arts Magazine, Houston, January, 1993, pp. 18-21 |
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Gary McCay, People Who Make Houston Houston, Houston Metropolitan Magazine, August, 1992, pp. 48-57 |
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Kalil, Susie. In the Abstract, The Houston Press, April 30, 1992, pp. 33-34 |
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Susie Kalil, Soft Core, The Houston Press, April 9, 1992, pp. 36-38 |
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Susan Chadwick, Artistic to the Core, The Houston Post, March 24, 1992, p. C1 |
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Ludlam, Jane. Summertime News, The Houston Press, July 25, 1991, pp. 26, 28 |
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Peter Frank, Art Pick of the Week, The L.A. Weekly, July 10, 1989, p. 23 |
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SELECTED BOOKS AND CATALOGUES |
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| Inflated, 2001, Museum of Fine Arts Houston, essay by Valerie Loupe Olsen | |
| Boolean Unions, 2000, Contemporary Art Museum, Houston, essay by Dana Friis Hansen | |
| Texas: 150 Works from the Museum of Fine Arts, by Alison de Lima Greene, Houston, 2000 | |
| Texas Draws, 1999, Contemporary Art Museum, Houston, essay by Lynn Herbert | |
| Double Vision, 1999, Nexus Contemporary Art Space, Atlanta, essay by Michael Pittari, | |
| Unraveled, 1998, City Gallery at Chastain, Atlanta, essay Debra Wilbur | |
| True Bliss, 1997, Los Angeles Contemporary Exhibitions, essays by David A. Greene and Julie Joyce | |
| Contemporary Art in Texas, by Patricia Johnson, 1994 | |
| Core Fellows 1991-92, Museum of Fine Art, Houston | |
| Core Fellows 1990-91, Museum of Fine Art, Houston | |
| The New Fabricants, Richard Green Gallery, 1990 |
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EDUCATION |
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1990 |
Master of Fine Arts/Sculpture, Claremont Graduate School, Claremont, CA |
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1987 |
Bachelor of Arts, Mass Communication/Journalism, University of South Florida, Tampa |
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Bachelor of Arts, Fine Arts/Sculpture, University of South Florida, Tampa |
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AWARDS |
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2001 |
International Artist in Residence Program, ArtPace, San Antonio |
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1999 |
Creative Artist Program Award, Cultural Arts Council of Houston |
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1995 |
The Louis Comfort Tiffany Award |
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1994 |
Project Grant, Canada Council, Ottawa, Ontario |
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Creative Artist Program Award, Cultural Arts Council of Houston |
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1993 |
Mid-America Arts Alliance, National Endowment for the Arts Fellowship Award |
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Vermont Studio Center Sculpture Residency Award |
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Exhibition Award, Women and Their Work, Austin |
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1992 |
Visual Arts Travel Grant, Canada Council, Ottawa, Ontario |
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Core Fellowship, Museum of Fine Art, Houston |
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1991 |
Core Fellowship, Museum of Fine Art, Houston |
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1990 |
Graduate Fellowship, Claremont Graduate School, Claremont, CA. |
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TEACHING EXPERIENCE |
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| Adjunct Instructor, University of Houston | |||||||||
| Visiting Instructor, The School of the Art Institute of Chicago | |||||||||
| Visiting Artist, California College of Arts and Crafts, San Francisco | |||||||||
| Visiting Instructior, University of Texas, Austin | |||||||||
| Houston Community College | |||||||||
| Scripps College, Claremont, CA | |||||||||
| El Camino Community College, Torrence, CA | |||||||||
| Various workships, lectures, symposia | |||||||||
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